The works of Jessica Lajard engage with the moment, with the immediacy of perception.
Hers are images that strike the retina and seize the distracted eye; they seduce, and then retain.
What first draws the attention in the ceramics and mixed installations of Jessica Lajard, is the taste for materials and colors. A manifest pleasure of working the material and playing with textures is evident in her work. The reading is further completed with references to the domestic world or anecdotes from her own daily life. She subverts them with a destabilizing, sometimes biting, sense of humor. These hybrid images evoke the pop creations of Tom Wesselmann, such as for instance The Seven Smokers, a set of porcelain vases from Jingdezhen, topped by mouths holding burning cigarettes, whose motifs combine Chinese tradition and tobacco swirls. Her practice functions like a rebus in the sense that the understanding of the whole is based on each separate element and each separate element can alter the reading of the whole. Combinations with evocative powers such as the ones in Eye Candy offer a decidedly erotic vision of whipped cream and the interlocking of positive and negative forms. Hangover, on the other hand, is a rather visual and literal translation, with its remains of the night before ‘hanging over’ a lounge chair.
The ambivalence of senses, through a clever distortion of materials and textures, and the ambivalence of meaning, evident in both the personal and collective report, partake in the creation of a confusing but familiar universe.
As points out Jean de Loisy*, Jessica Lajard «always cleverly organizes the discomfort of our perceptions by using a language that seems so everyday that we cannot immediately grasp that it is a protest against the whole idea of aesthetics.»
*Director of Palais de Tolyo, Paris (FR)
Irène Laub Gallery
rue de l'Abbaye 8b
Tuesday up until Thursday 11h - 13h & 14h - 18h30
Friday 14h - 18h30
Saturday 11h - 13h & 14h - 18h30
and by appointment